Cannes might be known for red carpet twirls, oversized sunglasses, and the occasional standing ovation that lasts longer than most short films.
But India’s presence at the festival this year isn’t just about star power or flashy PR moves—it’s about substance and nostalgia. And, in one case, a master filmmaker reminding everyone why his name still rings out in global cinema circles.
Aranyer Din Ratri (Days and Nights in the Forest ) (1970)
Whether it’s through restored classics or quietly radical new work, India at Cannes this year feels refreshing—and real. Finally, no one’s gazing into a dusty mirror for 12 minutes. At least, not yet.