Lovely to meet you and congratulations. My Father’s Shadow is your debut feature film, but you’ve got such a diverse body of work; does winning the BAFTA Breakthrough feel like it’s been a long time coming?
Akinola Davies Jr: Yeah, initially, no. I got into film because a friend of mine’s dad was an editor, and I really liked their family life. I thought they were bohemian. I’d never seen people like that before, and I thought, “Oh, their dad’s an editor, mum’s an artist, it’s very cool.” I wanted to do that. I worked in production design, editing, and camerawork. But everyone kept saying, “You’re probably a director.” Once I became brave enough to pursue it, it became about wanting to make a feature, but not wanting to jinx myself by saying it out loud. It’s been a long road. It’s been 15 years, and now I feel like I’ve reached the dream. It’s now about trying to maximise that dream as much as possible.
You spent a long time directing music videos and working with fashion brands before moving into film. It’s such a big step into such a competitive industry – was there a specific moment where you had to be brave, like a do-or-die moment?
Yeah, completely. Quite a few moments, but the main one was when I assisted photographers and filmmakers Tim and Barry. We used to shoot a lot of stuff online with grime music, and it really introduced me to my network. They were like my creative filmmaking dads. I worked with them for six years, and towards the end, I got more pushy, saying, “We should do this and that.” And they said, “Maybe you should do those things.”
It was them gently firing me, and I was heartbroken, if I’m honest. But I’m the kind of person who uses disappointment as motivation to prove people wrong – and to prove myself wrong as well. It was tough, and it took a year or two to figure out what I was trying to do. Eventually, I made a film, and that was when I thought, “Okay, you actually can do this, and it might work.” But yeah, it came from disappointment.
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